Achille Gouffé (1804-1874) was known as the ‘French Bottesini’ and was an important figure in 19th-century Parisian musical life. For 35 years he was Principal Bass of the Paris Opera Orchestra and with the Society of Conservatoire Concerts Orchestra, now Orchestre de Paris, and for over 40 years he organised regular chamber music concerts at his home. Georges Onslow, Eugène Walckiers, Adolphe Blanc, amongst others, composed chamber works which included double bass for these concerts.
Gouffé was one of the first bassists in France to use a four-string double bass and, dissatisfied with the sound of the lowest string he developed, in collaboration with the violin maker Auguste Bernadel, a new process of double winding copper and steel, which was then universally adopted.
He composed a number of works for double bass, including one of the first Methods for the four-string double bass, which was subsequently adopted and used by the Paris Conservatoire. In a newspaper article in 1849 Hector Berlioz described Gouffé as a ‘master virtuoso’ and his educational music is still popular in France today.
Achille Gouffé composed a number of works for double bass and his Concertino Op.10 is ideal for the intermediate bassist who is looking for accessible…
Achille Gouffé composed a number of works for double bass and his Concertino Op.10 is ideal for the intermediate bassist who is looking for accessible challenges, primarily in bass clef, throughout the orchestral range of the double bass.
In three short movements, a dramatic introduction is followed by a lyrical and sonorous slow movement, emphasising the cantabile qualities of the double bass primarily in the orchestral register, ending with a lively, vibrant and substantial Allegro (alla breve). The short coda is dramatic and impressive, bring this wonderfully inventive and impressive piece to a forceful and successful conclusion.
Gouffe’s Concertino offers both musical and technical challenges for the intermediate bassist and is both player and audience friendly, with a few easy virtuosic challenges to test the technical prowess of the player. An ideal examination or recital piece, this new edition by David Heyes is clear and easy to read with the short harmonic passages now in the correct octave for the 21st-century bassist.
This edition includes piano accompaniments for both solo and orchestral tunings.
