Dynamics have been kept to a minimum with an opportunity for each duo to create their own unique version. The duets are short and can easily be repeated once or twice to extend their duration and bassists should feel free to add or change dynamics, articulations and tempos as they wish. The first seven duets include an open string part for bass 2, playable pizzicato or arco.

A number of simple major and minor keys have been used, which can be the starting point for introducing scale and arpeggio study, and the duets only use the G, D and A strings. Some duets can also be played an octave higher for more advanced students who are beginning to play in thumb position.

Bass-Time Duets are ideal for bassists of all ages with the primary aim of enjoyment and making music with friends. Chamber music is an essential part of the study of a musical instrument and these duets ensure that bassists can begin to develop ensemble skills from the earliest stages of study.

“These duets are incredibly fun and versatile. I am excited to work on them with my students. I love that you can even add octave dispositions if it suits the student’s needs. With clever names, interesting rhythms, and great advanced techniques/effects, these duets will keep students engaged while working on blending tone, improving pitch, and matching articulations. David continues to create fabulous music for bassists of all ages and levels.
This collection is sure to be another hit!”
[Susan Hagen, Boston Pops Orchestra/Berklee College of Music]

“What a fantastic and generous selection of duets! A great way for beginner bassists to really consolidate first position with a wonderful variety of styles and rhythms! Having some with an open string line is ideal for beginners to get duetting with other student players or their teacher right from the beginning! I love your use of special effects such as tapping, as young players really enjoy this and it is so good for rhythm and coordination. I especially love that you have included these techniques in the open string parts, so new bassists can explore them straight away.
These pieces are perfect for all ages to play and I will not only be using them with my beginners but also with my older students as using notes only in first position, frees them up so they can focus on detail and ensemble playing.
Thank you so much for writing these. Another gem in the Recital Music catalogue!”
[May Halyburton, Double Bassist/Music Educator/Director of Bessy Bass Ltd.]